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MANHEE  KIM

 

 

Manhee Kim’s gestural abstraction is not doctrinaire in the sense of 20th Century work but rather is attuned to his time yet is not based on any particular manifesto.

In this new abstraction, there is a purposeful movement that is almost aggressive yet controlled, that subverts claims of perfection. It is about incompletion, gestural antithesis, and a tendency towards an unfinished quality analogous to the Japanese idea of Wabi-Sabi, the appreciation of imperfection. In Korean it is almost synonymous to the concept of Han that is like the mystery of the soul or a feeling of angst and yearning that developed over hundreds of years of shared cultural development.

 

In Kim’s work like the White on Black, these qualities appear in his flying white brushstrokes that contain as much void space as solid. This subversion of closure allows Kim to address issues in his own roots while being currently viable in denying dogmatic history. But, even in this departure, Kim is not being cavalier, but rather playfully unpredictable and informal.

 

Kim’s approach to his work is very serious however, although there is an intuitive element present. Kim works with different size scales without confining his smaller works to the genre of studies, but rather giving them their due democratically speaking.  Kim’s works are not meant to produce calm resolution but rather agitation and excitement addressing the multivalent and tumultuous world in which we reside.             -  Thalia Vrachopoulos Ph. D

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ManHee Kim paints with the high energy of the great Abstract Expressionists. While the abstract paintings of Kim Man Hee are filled with broad sweeps of pigment and embodied gestural nuances, they also hold memories of time and place. The viewer will see the direct use of primary color in Kim’s work – the reds, blacks, blues, and violets – as carriers of vivid emotion. They suggest the sound of wind blowing through the mountain passes, the hills, meadows, and vales. As Kim’s extended brushwork moves across the surface of his canvases, intervals of rhythmic notation and expression can be felt. In the process of being seen, they suggest feelings of the wind being consumed by aggregates of color within the artist’s wild, sweeping gestures. There is force in these paintings: the force of beauty in the process of revealing itself, on the threshold of coming alive.                 -  Robert C. Morgan  

 

 

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SOLO  EXHIBITION

2017  TOW A-RU Gallery FUKUOKA JAPAN

2016  TENRI Gallery, New York, US

2015  Mobius Gallery, Seoul, SOUTH KOREA

          Hyundai Department Store Art Gallery, Seoul, SOUTH KOREA

2014  Walter Wickiser Gallery, New York, US

2013  Able Fine Art Gallery, Seoul, SOUTH KOREA

2012  Riverside Gallery, Hackensack, US

          Able Fine Art Gallery, New York, US

2011  Able Fine Art Gallery, New York,US

2010  Tokyo Mi Gallery,Tokyo, JAPAN

          Gono Gallery, Tokyo, JAPAN

2009  Europe Gallery, Paris, FRANCE

          KCC Gallery, Englewood, US

          Seoul Art Gallery, Seoul, SOUTH KOREA

2008  Salon the Hululu Gallery, Tokyo, JAPAN

          Hangaram Art Museum, Seoul, SOUTH KOREA

2006  Sunlight Gallery, Tokyo, JAPAN

          Repin Academy Museum, Saint Petersburg, RUSSIA

2005  Gallery Couteron, Paris, FRANCE

 

 

SELECTED GROUP EXHIBITIONS

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2017  Art Fair Fiac ALMINE RECH Gallery Paris France

          ABSTRACTION TENRI CULTURAL INSTITUTE OF NEW YORK.US

          Are Athina Asian Art Gallery Athens,GREECE

          Singapore Art Show,d'Arte Gallery,SINGAPORE

          Form & Content, Gallery 7, Athens,,GREECE

          Gwangju Art,Museum,Gwangju,SOUTH KOREA

2016  Art LA,d'Arte Gallery,LA,US

          Asia Contemporary Art Show, d'Arte Gallery, HONG KONG

          Art Athina Asian Art Works, Line ane Gesture, Athens, GREECE

          KACAL 17 NEW York, NY, US

          Art Busan, d'Arte Gallery, Busan, SOUTH KOREA

          American Contemporary Art Ltd, New York, US

          Five Senses+1, d'Arte Gallery, New York, US

          Asia Contemporary Art Show, Hyun Contemporary NY, US, HONG KONG

2015  Affordable Art Fair, DDP Seoul, K&P Gallery, New York, US, Seoul,SOUTH KOREA

          Art Fair ASPEN, Donghwa Ode Gallery, Colorado, New York, US

          The 8th Art Hamptons Fine Art Fair, Dongwha Ode Gallery, New York, US

          Art Busan,Walter Wickiser Gallery, Busan, SOUTH KOREA

          Art Busan, IL Ponte Galleria Firenze Italy, Busan, SOUTH KOREA

2014  Concept Miami,Waiter Wickieser Gallery,Miami,US

          Fair for Modern and Contemporary Art,Asan Gallery, Cologne,GERMANY

          KIAF Riverside Gallery,Seoul,SOUTH KOREA

2013  Gallery Artists Part X, Walter Wickieser Gallery, New York, US

          Fair for Mocern and Contemporary Art, Asan Gallery, Cologne, GERMANY

          The 37th ARTEX Seoul, Godo Gallery, JCAA Tokyo, Seoul, SOUTH KOREA

          Houston Fine Art Fair, Walter Wickiser Gallery, Houston, US

          Hampton Art Fair, Couteron Paris, FRANCE, New York, US

2012  Scope New York, Riverside Gallery, New York, US

          Art Palm Beach, Walter Wickiser Gallery, Palm Beach, US 

          Korea Art Show, Godo Gallery, New York, US

          China International Gallery Exposition, Able Fine Art Gallery, Beijing,CHINA

          Gallery Artists Part IX, Walter Wickiser Gallery, New York, US

          Korea American Contemporary Arts Lte, New York, US

          K-Art, Godo Gallery, Seoul, SOUTH KOREA

          A&C Art Fair, Seoul, SOUTH KOREA

          Tokyo Art Fair, JCAA Tokyo, Tokyo, JAPAN

          Art Show Busan, Able Fine Art Gallery, Busan, SOUTH KOREA

          KIAF, Able Fine Art Gallery, Seojong Gallery, Seoul, SOUTH KOREA

          A I Art Shopping au Carrousel du Louvre, Paris, FRANCE

2011  Art Chicago, Walter Wickiser Gallery, Chicago, US

          KIAF, Able Fine Art Gallery, Seoul, SOUTH KOREA

          Art Palm Beach, Walter Wickiser Gallery, Palm Beach, US

          Scope New York, Able Fine Art Chelsea, New York, US

          Gallery Artists Part VIII,walter Wickiser Gallery, New York, US

2010  Art Miami, Walter Wickiser Gallery ,Miami, US

          The New Abstractionsts III,Walter Wickiser Gallery, New York, US

          Seoul Open Art Fair,Able Fine Art Gallery, Seoul, SOUTH KOREA

          The 27th New York Art, Soho Ward-Nasse Gallery, JCAA, New York, US

          The 32nd ARTEX New York, New York, US

          The 32nd ARTEX Tokyo, Soya Gallery, Tokyo, JAPAN

          The 33rd ARTEX Soul, Godo Gallery, Seoul JCAA, Seoul, SOUTH KOREA

2009  Art Fair Basel Miami, Walter Wickiser Gallery, Miami, US

          RA 31EME ARTEX Paris, Paris, FRANCE

          The 31st ARTEX New York, Ward-Nasse Gallery, New York, US

          The 5th New York World Art Festival, New York, US

          The 30th International IMPACT Art Festival,Kyoto City Museum,Kyoto,JAPAN

          The 2nd World Open Art Festival, Seoul, SOUTH KOREA

          Korea Contemporary Art Renaissance Exhibition, Seoul, SOUTH KOREA

          ARTEX Seoul, Insa Art  Gallery, Seoul, SOUTH KOREA

2008  The 29th Internathonal IMPACT Art Festival,Kyoto City Museum,Kyoto,JAPAN

          Abstract Watercolor 14th, Seoul, SOUTH KOREA

          A&C Art Fair Seoul, Seoul Museum, Seoul, SOUTH KOREA

          Korea Professional Art Mall Festival, Seoul, SOUTH KOREA

2007  The 27th ARTEX New Yoê°€, Ward-Nasse Gallery,New Yoê°€,US

2006  The 27th Internathonal IMPACT Art Festival,Kyoto City Museum,Kyoto,JAPAN

2004  The 25th International IMPACT Art Festival, Kyoto City Museum, Kyoto,JAPAN

 

 

TEACHING EXPERIENCES

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1985∼2008  Professor, Eulji University,Seongnam, SOUTH KOREA

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